In my artistic journey, I often return to Gol o Morgh  because it is far more than a decorative convention in Iranian art. For me, it is a visual language shaped by memory, myth, poetry, longing, and spiritual imagination. What appears at first as a simple encounter between a bird and a flower opens, on closer attention, into a much larger world: a world where painting touches literature, where ornament becomes philosophy, and where beauty carries memory across centuries. Fro